Jasmine

Struggling a bit with heavy pigmentation of Stuart Semple watercolours making this portrait of Jasmine from the `Museum by Sktchy app. If you like strong colour then they’re definitely for you! I’ve only used them once before and I was struggling to get the lighter wash that I wanted – I need much more practice with them.

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Em

This portrait of Em is an example of one of those drawings/paintings that goes wrong from the beginning and I just had to resolve to keep going and learn what I could from the process.

I made a huge absentminded error once I’d finished my line drawing by forgetting I was working in my watercolour sketchbook and intended to use watercolour for my base colour. I started to add shadow with a Copic marker and realised my mistake as soon as I’d drawn a line – you can see that line moving down the forehead above the right eyebrow!

My initial instinct was to abandon the portrait at that point but then I decided I would carry on, enjoy the process and see what I could learn from trying to disguise my grey-pink Copic line. So I painted on with watercolour and then added coloured pencil. I don’t think you would see that line unless you know it’s there and look for it so I’m happy with what I did in the end.

But the entire portrait is not quite right. That error early on was a sign of my mind being not fully focused on my drawing, which is how it is right now.

Sydney

I was recently gifted some Winsor & Newton watercolour markers. I’ve never used watercolour markers before so this portrait of Sydney was my first experiment with them. I was a long way out of my comfort zone but it was fun to play around with the colour and see what the markers could do. The most interesting thing I learned was that some of the colours respond much better to the addition of water than others – it will take me a while to remember which ones!

Katoka

Sometimes simplest is best. I loved the angle of the inspiration image for this portrait of Katoka from the Museum by Sktchy app but I kept my drawing and painting as simple as possible because i was concerned that if I made the portrait at all complicated it might be difficult to read. i think it works well as it is.

Jan

This is Jan from the Museum by Sktchy app. I’m taking a much slower approach to my drawing and watercolour painting when I’m not actually teaching in a class at the moment (when I have to work fast because we only have about because we about 40 minutes of class time to work on a drawing). I’m think I’m getting better results from working slower.

Vic

In my last post I shared a portrait that I started during a workshop last weekend with watercolour artist Mario Robinson. Yesterday I began this portrait of Vic from Museum by Sktchy with the very deliberate intention of using my usual watercolour and coloured pencil approach BUT incorporating what I had learned from Mario’s workshop last weekend.

So instead of rushing the watercolour stage as I usually do I slowed right down. I started yesterday and finished today, spending at least twice as long as I usually do on it (2 hours +). I also used water in a second brush to soften the edges and preserve the highlights. And I tried to replicate some of Mario’s very swift brush strokes, designed to keep the brush on the paper for a short a time as possible.

I also didn’t do a number of things that I would usually do. I didn’t use any masking fluid – and I really like the end result just using water to preserve highlights, even if it takes longer. I didn’t use my usual darker fineliner – I’m not so sure about this decision. I feel like that’s part of my style and the portrait does look quite right without it. And because I did go in to finish off with my coloured pencil hatching I think that’s looks a little off (too strong ) without the fineliner outline to balance it. But I think my watercolour work is definitely better than it was a week ago, especially in the hair which is where I always lack the most confidence.

So I think going forward I will certainly be taking a lot of what I learned and incorporating it into my own method and adapting it to make it workable within the shorter timescales that I generally work with.

Meredith’s child

It’s not often that I draw a whole person and even rarer that I do a portrait of a child, but who can resist a child in a dinosaur jacket? Not me. This is from a photo posted by Meredith on the Museum by Sktchy app.

Athenas

I love drawing sunglasses and I also love the unusual perspective in this portrait. I’m really happy with how the glasses came out but less so with the hair – really need to work on my hair skills! Perhaps I could have spent less time on the glasses and more on the hair 😂