This portrait of Jolynn is drawn from a fantastic inspiration photo on Sktchy. I don’t draw enough older people; whenever I do I’m reminded of how great their faces are to draw. Jolynn’s face is so interesting and full of character and it’s so much easier to get a likeness when you’re not drawing young smooth featureless skin!
I also decided to ditch my scan of this portrait and use a photo of it instead. The scan bleached out the image too much, whereas the photo retained more of the yellow and the texture of the paper and the portrait just looks more interesting.
This is Sydney from Sktchy. Crying is something that I find really hard to capture in a portrait. I think I’ve done a better job here than I usually do but I’m still not where I’d like to be. I need to practice, practice, practice.
I’m not an American but even here on the other side of the pond many of us, especially women, are deeply grateful for the life, work and inspiration of Ruth Bader Ginsburg, the US Supreme Court Justice and feminist icon who died yesterday. I am certainly feeling her loss today and she was the only person I could possibly draw.
I painted this in a Moleskine watercolour sketchbook with Zecchi Toscana watercolours then warmed on it with Luminance coloured pencils. Then I scanned it in to my iPad Pro and worked on it some more in Procreate using Lisa Bardot’s Pencil Box brushes.
A short while ago I was posting this image on Sktchy and browsing my feed on the app. Over the past few months of lockdown Sktchy has been hosting a whole series of classes on digital portraiture, something I’ve been doing for years. Just all my artist friends are beginning to embrace the world of digital art, I find myself swimming once more against the stream and retreating from it back towards traditional media.
It’s not that I’m not interested any more in digital art, but I’m more interested in how I can apply the skills it has taught me to my use of watercolour and coloured pencils and pens – I see these skills as so interchangeable and inseparable. But I do sometimes feel as though I’m always destined to be in a very different place to most everyone else when it comes to art making. Do other artists who didn’t get here by traditional routes, who didn’t go to art school, feel the same way?
I painted portrait of Aleksandra with Sennelier watercolours in a Moleskine watercolour sketchbook and then worked over it with Polychromos and Prismacolor coloured pencils.
This is Sydney from Sktchy. I’m really happy with this portrait. I think i did a good job of combining watercolour and coloured pencils. I can see mistakes, of course, but I’m enjoying the direction my work is going at the moment.
I drew Sydney in a Moleskine watercolour sketchbook with a Unipin grey brush fineliner, painted her with Sennelier watercolours and finished the portrait off with Prismacolor coloured pencils.