I love how huge Van’s hand looks in this portrait! It’s large in the inspiration image too but I have exaggerated it a little too. I think the extra size makes her look even more pensive.
I drew Van in my Moleskine watercolour sketchbook with a Micron fineliner, then painted her with Zecchi Toscana watercolours and finished the portrait with Prismacolor coloured pencils.
I didn’t start out drawing portraits with the intention of ever selling my portraits. I never really imagined I’d be good enough. But over the past year I’ve started to get asked to take commissions and now I have a steady stream of them coming in. At the moment I’m working on a few that need to completed fairly soon and I’m also going to be exhibiting in an Artists Open House in the Brighton Fringe Festival in May, so I’m not going to have as much time for my daily faces. But today it’s been lovely to just play around in my sketchbook and paint Jagonte, without any pressure!
I drew Jagonte with a Micron fineliner, painted the portrait with Zecchi Toscana watercolours and finished it with Prismacolor coloured pencils.
I totally messed up the mouth in Berto’s portrait, but apart from that this felt like a step forward in my watercolour technique. I felt like I had much better control of my brush and that there was a real connection between what my eyes saw and what my brush communicated on the page when I was painting.
I painted Berto’s portrait in my Moleskine watercolour sketchbook with my Zecchi Toscana watercolours and finished it was Prismacolor coloured pencils.
When I first started drawing faces I was terrified of expressions and would only draw expressionless faces looking forward, mouth closed. Now, a few years and more than 1200 portraits later, I have much confidence in my portraiture skills and it’s all about expressions. When I’m looking through Sktchy for a face to draw the images that jump out at me are the ones with great lighting, interest skintones and/or wonderful expressions to draw. The inspiration photo for this portrait of Denyce has all three.
I drew Denyce in my Moleskine watercolour sketchbook with a Micron pen, painted her with Zecchi Toscana watercolours and finished the portrait with Prismacolor coloured pencils.
I’m starting 2020 with a little watercolour of Tina’s son. I don’t know his name but I loved the photo of him she posted on Sktchy. I love to try to capture different expressions in my portraits and this one is just great! It’s all in the eyes and the eyebrows.
I drew the portrait in my Moleskine watercolour sketchbook with a Micron .01 fineliner, painted with Zecchi Toscana watercolours and finished it off with Prismacolor coloured pencils.
Santa brought me a set of Boko Undo E-Sumi Japanesque watercolours in “Almost Black” shades. This was my first use of them, trialling the purplish black for this portrait of Sktchy muse Tink. It was also only the second page of my new watercolour Moleskine sketchbook, so I was trying out new paint in a new sketchbook, so I’m pretty happy with how the portrait turned out, all things considered. I like both the paint and the sketchbook.
This is a portrait of Sktchy muse Ima and is the first page of my new Moleskine watercolour sketchbook. Lots of people talk about being nervous of drawing on the first page of a new sketchbook. I used to feel that way but once I started daily drawing I lost all first page nerves. The first page is no different to any other page – if anything, I’m excited to start a new sketchbook. That’s not so much about the drawing but about stickering the covers. I collect stickers purely for putting on the covers of my sketchbooks so I love to start new sketchbooks so I can put new stickers on them.
I painted Ima with Zecchi Toscana watercolours and finished the portrait with Prismacolor coloured pencils.