Tag: mixed media

Jagonte

I didn’t start out drawing portraits with the intention of ever selling my portraits. I never really imagined I’d be good enough. But over the past year I’ve started to get asked to take commissions and now I have a steady stream of them coming in. At the moment I’m working on a few that need to completed fairly soon and I’m also going to be exhibiting in an Artists Open House in the Brighton Fringe Festival in May, so I’m not going to have as much time for my daily faces. But today it’s been lovely to just play around in my sketchbook and paint Jagonte, without any pressure!

I drew Jagonte with a Micron fineliner, painted the portrait with Zecchi Toscana watercolours and finished it with Prismacolor coloured pencils.

Berto

I totally messed up the mouth in Berto’s portrait, but apart from that this felt like a step forward in my watercolour technique. I felt like I had much better control of my brush and that there was a real connection between what my eyes saw and what my brush communicated on the page when I was painting.

I painted Berto’s portrait in my Moleskine watercolour sketchbook with my Zecchi Toscana watercolours and finished it was Prismacolor coloured pencils.

Denyce

When I first started drawing faces I was terrified of expressions and would only draw expressionless faces looking forward, mouth closed. Now, a few years and more than 1200 portraits later, I have much confidence in my portraiture skills and it’s all about expressions. When I’m looking through Sktchy for a face to draw the images that jump out at me are the ones with great lighting, interest skintones and/or wonderful expressions to draw. The inspiration photo for this portrait of Denyce has all three.

I drew Denyce in my Moleskine watercolour sketchbook with a Micron pen, painted her with Zecchi Toscana watercolours and finished the portrait with Prismacolor coloured pencils.

Rick

This week’s Old School Sktchy weekly art extravaganza (wax) challenge theme is “historical”, and when choosing a photo I knew I only needed to visit Rick’s Sktchy photo collection to find an inspiration photo to draw from. Rick is probably the most well known Sktchy muse. He has a huge collection of more than a thousand inspiration photos, in a massive range of costumes and poses. He also very open to suggestions from artists if someone has an idea for an new costume he might pose in. So a quick hunt through Rick’s photos turned up the inspiration photo for this portrait, which wouldn’t look out of place on a miniature in the Victoria & Albert Museum.

I drew Rick in my Moleskine sketchbook with a Micron fineliner, Copic markers and coloured pencils.

Avonlea

This is Sktchy muse Avonlea. I love the way the light casts a shadow down the left side of her face and across her eyes in the inspiration photo for this portrait, and capturing that without darkening her eyes too much was my main focus when drawing. I’m so happy with the finished portrait; I really feel like it’s the best I could have done right now and that’s all I can ask of myself.

I drew Avonlea in my A4 Moleskine sketchbook with a Micron fineliner, Copic markers and Prismacolor coloured pencils.

Tina’s son

I’m starting 2020 with a little watercolour of Tina’s son. I don’t know his name but I loved the photo of him she posted on Sktchy. I love to try to capture different expressions in my portraits and this one is just great! It’s all in the eyes and the eyebrows.

I drew the portrait in my Moleskine watercolour sketchbook with a Micron .01 fineliner, painted with Zecchi Toscana watercolours and finished it off with Prismacolor coloured pencils.

Ima

This is a portrait of Sktchy muse Ima and is the first page of my new Moleskine watercolour sketchbook. Lots of people talk about being nervous of drawing on the first page of a new sketchbook. I used to feel that way but once I started daily drawing I lost all first page nerves. The first page is no different to any other page – if anything, I’m excited to start a new sketchbook. That’s not so much about the drawing but about stickering the covers. I collect stickers purely for putting on the covers of my sketchbooks so I love to start new sketchbooks so I can put new stickers on them.

I painted Ima with Zecchi Toscana watercolours and finished the portrait with Prismacolor coloured pencils.

Bec

This is Bec, one of my oldest online drawing buddies. We’ve never met in person because I live in the UK and Bec lives in Australia, but we see each other most days on Instagram, Facebook and/or Sktchy and often chat about drawing, art communities and family. I’ve aged Bec a little in this portrait- she’s definitely younger than she looks here! But I know she’ll forgive me because she knows this is the kind of thing that sometimes happens when you’re drawing.

I drew Bec’s portrait in my A4 Moleskine sketchbook with Copic markers, coloured pencils and metallic gel pens.

Mae

This is the last portrait in my current watercolour portrait sketchbook. I messed up Mae’s hair and had to add some highlights in Procreate, which gave me a chance to experiment with some of the lovely new digital brushes. And because I have finished a sketchbook I’ve filmed a quick flip through of the whole sketchbook, which you can see on YouTube here if you’re interested.

I drew Mae’s portrait in my Laloran sketchbook with a Micron fineliner, painted it with Zecchi Toscana watercolours, added some Prismacolor coloured pencils and then finished off with some digital editing in Procreate.

Ania

Finally, after what feels like weeks of struggle, a portrait I’m happy with. I haven’t quite captured Ania’s likeness here, which reminds me once again that it isn’t a perfect likeness that I’m striving for, but I’ve definitely caught a sense of her gracefulness and her porcelain-like beauty. I made a mess of a number of my lines , especially under her eyes and in her hair, but that doesn’t matter. Overall I’m happy with what I achieved. The hair frames the face well and draw attention into those beautiful eyes and that lovely freckled skin. That’s what I wanted from the portrait.

I drew Ania in my Moleskine sketchbook with Micron fineliners, Copic markers and Prismacolor coloured pencils.