I’m beginning to feel comfortable drawing with coloured pencils. I feel like I’ve found a process that suits me now and preserves my style so that the portraits I produce are still recognisably mine. I probably still need to build enough confidence with this style to add more layers of colour but I do at least feel like I’m going in the right direction now.
I drew Iliriana’s portrait in my Hannehmühle Nostalgie sketchbook with Prismacolor coloured pencils.
Still working on my ballpoint pen skills after that great Sktchy Art School course on Portraits in Pen. I think I’m improving slowly, but it is a very slow improvement. I still haven’t got the lightness of touch I’d like to achieve but I’ll keep at it and hopefully get there eventually.
I drew this in an A5 Moleskine with a variety of ballpoint pens.
This was such a hard draw. It’s so hard to draw a face when the usual markers, features and shadows aren’t clearly identifiable but are hidden by lots of face paint and make up. I struggle to get any sense of dimension and this face looks horribly flat. But it’s the Day of the Dead and I just had to draw a sugar skull portrait!
I drew this in my Moleskine sketchbook with Copic markers.
Sktchy is having a Halloween portrait party. I’m a huge fan of The Walking Dead and so when I saw a photo of this zombie amongst Cin’s inspiration photos on Sktchy it was irresistible. And it was huge fun to paint.
I used my Zecchi Toscana watercolours to paint it in my Laloran sketchbook and then finished it off with my Prismacolor coloured pencils.
This is what I think of as a classic comfort zone portrait for me. A great face with wonderful eyes, minimal hair and an interesting pose. It’s also the kind of portrait that begs to be drawn with Copic markers – good yellow, peach and lilac tones in the skin that suit my kind of Copic layering. Fun to draw.
I drew Jeandor in my A4 Moleskine sketchbook with Copic markers.
Sometimes I make a portrait that I’m really happy with. This is one of those times. I love this portrait of Claudio. I feel like I got just the right combination of light and dark in the watercolour and then just the right amount of pencil marks to enhance it and not overwork it. That doesn’t happy often but when it does it’s good.
I painted this in my Laloran sketchbook with Zecchi Toscana watercolours and finished it with Prismacolor coloured pencils.
This is Brooke, drawn in my A4 Moleskine sketchbook with Copic markers and coloured pencils.
This is a little ballpoint pen practice in my pocket Moleskine. It’s also an entry into this week’s Old School Sktchy wax challenge for Halloween. And, of course, it’s a portrait of the very lovely Scout Penelope, the absolute best child muse on Sktchy.
Not feeling that well these past few days, it’s been a crazy work week month…) and I’m really feeling it, and I’m struggling a little to focus on my drawing. I feel that I’m losing the likenesses more than usual but I’m still enjoying the process as much as ever.this is the very beautiful Sktchy muse Anna – though it doesn’t look entirely like her!
I drew it in my Hannehmühle Nostalgie sketchbook with Polychromos coloured pencils.
Some days I overwork my watercolours horribly and other days I manage to keep them light and restrained. This is one of those good days – so happy I managed to avoid any muddy overworking here. Possibly helped by Elene’s fabulous bone structure and that awesome blue eyeshadow!
I painted this in my Laloran sketchbook with my Zecchi watercolours and finished it with Prismacolor coloured pencils.
drawing faces 