Tag: Sktchy

Katyam

This is Katyam, drawn in my Moleskine watercolour sketchbook with a grey Uniball fineliner pen, painted with Zecchi Toscana watercolours and finished with Prismacolor coloured pencils.

Joey

This is Joey. We met Joey 18 months ago at the Dogs Trust Rescue Centre in Shoreham-by-Sea. He’d been waiting there for us for around 3 years. We visited him most days for a month to get to know him before he was comfortable enough with us to let us adopt him. Now he’s been living happily with us for more than a year and we adore him. He’s most happy snuggled under the duvet with someone or with a toy in his mouth playing a pulling game.

He’s still a very nervous dog and always will be. He hates my phone camera and usually walks away when he sees it so I have to be sneaky with toys or treats to get smiley photos like this one. But this is a great photo for a portrait. And Anna, his trainer at the Dogs Trust, requested more portraits of Joey. So here’s number one.

I drew Joey in my Midori Cotton sketchbook with Copic markers and Prismacolor coloured pencils.

Bailey

I think my coloured pencil sketching is improving slowly. I drew Bailey in a HannehmĂĽhle Nostalgie sketchbook with Prismacolor coloured pencils.

Yasmin

I’m still adjusting to the paper in my new sketchbook. I always forget what a difference paper makes to my drawings and that it will take me a week or two to adjust to working in a new book. I’ve worked in a Midori Cotton before, but it was a while ago, so I’m definitely having to readjust to the slickness of the paper again. But this is always a fun process!

I drew Yasmin with Copic markers and Prismacolor coloured pencils in an A5 Midori Cotton sketchbook.

Fawn

I painted this fawn for this week’s Old School Sktchy weekly art extravaganza (wax) challenge on the theme ” zoological”.

I drew it in a Moleskine watercolour sketchbook with a Unipin light grey fineliner, painted it with Zecchi Toscana watercolours and finished it with Prismacolor coloured and a Uniball Signo with gel pen.

James

All my portraits go through an ugly phase. That’s part of my process. When they’re looking ugly, I just have to have faith in my process, not worry about the ugliness, trust that if I just keep going it will end up looking ok. I’m sharing this because I think that beginner portrait artists think that my portraits look great as soon as I start drawing, and that’s just not the way it is. Here’s this portrait at its really ugly stage:

When I first started drawing with Copic markers and was experimenting with shadows and I added grey and my portrait looked like this I was horrified. But at that point I didn’t really have any choice but to carry on and see if I could improve it. So I did and that’s how I developed my portrait method. And I learned not be scared of the ugly phase But to work through it and experiment. It’s probably the most important thing I’ve learned.

I drew James in a Midori Cotton sketchbook with a Unipin dark grey fineliner and Copic markers.

Vez

This portrait of Vez was a fun draw but the most remarkable thing about it for me is that I’ve somehow rejuvenated Vez, by around 10-20 years! If anything I usually make my subjects look a little older than their actual age and this is certainly the first time I’ve made someone look so much younger! I wish I knew how I’d done it because I suspect this would be guaranteed to keep the commissions flooding in.

I drew Vez on my iPad Pro with a 2nd Generation Apple Pencil using the Procreate app.

Mellie

Sometimes I see an inspiration photo on Sktchy and it speaks to me, demanding to be drawn or painted, this was one of those photos. Everything about Mellie’s photo screamed “draw me” “paint me”, ” do my portrait”. It’s the turn of the head, the lift of the chin, the look in the eyes. I saw this photo just a few days ago and wanted desperately to paint her. I chose paint over other mediums because I thought it would do the best job of capturing the flush in her skin without making her look too red-faced and I think it was a great choice, though it was hard work getting the balance right.

I drew Mellie in my Moleskine watercolour sketchbook with a light grey Unipin fineliner, painted her with Zecchi Toscana watercolours and finished with Prismacolor coloured pencils.

Abra

I took a Skillshare class last week on Metallic textures in Procreate with my favourite Skillshare teacher, Liz Kohler-Brown, and I managed to use the technique I learned on that class to draw the gold earrings and necklace in this portrait. I’m very proud of myself because this is quite a stretch from what we were doing in the class! And this is the beautiful Abra, who offered the perfect for experimenting with both this technique and more of Procreate’s great new updates brushes. I used the wet acrylic on her face and then several different drawing brushes on her hair and lips.

I drew Abra on my iPad Pro using a 2nd gen Apple Pencil and the Procreate app.

T

I’ve been working on a commission this weekend so haven’t had much time for other drawing but did manage to fit in this sketch of T. It was drawn with a Pilot Eno mechanical pencil in a HannehmĂĽhle Nostalgie sketchbook.