Grace

This is Grace, painted with Zecchi Toscana watercolours and finished with coloured pencils in my Moleskine watercolour sketchbook. It’s a reasonable likeness except that Grace is much prettier than this. All the features are just slightly off – the eyes and nose a little too large, the mouth not quite right. This often happens in my portraits and I don’t generally worry about it too much because I usually like the portrait well enough nevertheless. But in this portrait it has all combined to create a portrait that just doesn’t work.

I could have just left the portrait in my sketchbook and not shared it but, for me, sharing what doesn’t work is just as important as sharing the work I’m proud of. I’m learning with every portrait I create and it means so much more if I can share that learning. What I learned from this portrait is that sometimes I can be lazy, I can take it for granted that my portraits will turn out well even when my initial sketches are slightly off. Taking the time to revisit the sketch, check proportions and make corrections is probably well worth doing.

If you’ve learned useful lessons from your regular art practice I’d be interested to hear them.

Jezori

I needed to draw a portrait with some colour today and Jezori’s inspiration photo for this one totally fitted the bill. It also gave me an opportunity to experiment some more with a range of Procreate brushes and tools to create some interesting effects. I used the smudge tool a lot, but very lightly, to blur the circles of colour together to try to get a neon effect, and also on that light green in the background. I used it again on the blue colour (drawn with a pastel brush) to very gently smudge the shadows and the highlights into each other. I’m not generally a fan of the smudge tool and can only really get it to work for me if I use it on a very low opacity and very, very gently.

I drew Jezori on my iPad Pro with an Apple Pencil using the Procreate app.

Avonlea

This is Sktchy muse Avonlea. I love the way the light casts a shadow down the left side of her face and across her eyes in the inspiration photo for this portrait, and capturing that without darkening her eyes too much was my main focus when drawing. I’m so happy with the finished portrait; I really feel like it’s the best I could have done right now and that’s all I can ask of myself.

I drew Avonlea in my A4 Moleskine sketchbook with a Micron fineliner, Copic markers and Prismacolor coloured pencils.

Funkfu

Today’s portrait is of Funkfu. This week’s Sktchy challenge is to draw a blind portrait (that is, a contour drawing without looking at the page and without lifting your pen from the paper until the drawing is finished) so this is a blind portrait of Funkfu, drawn on my iPad Pro using the Procreate app.

Tina’s son

I’m starting 2020 with a little watercolour of Tina’s son. I don’t know his name but I loved the photo of him she posted on Sktchy. I love to try to capture different expressions in my portraits and this one is just great! It’s all in the eyes and the eyebrows.

I drew the portrait in my Moleskine watercolour sketchbook with a Micron .01 fineliner, painted with Zecchi Toscana watercolours and finished it off with Prismacolor coloured pencils.

Olivia

This is Olivia, drawn on my iPad Pro in Procreate using Liz Kohler’s great digital watercolour brushes. If you’re interested in my method I’ve uploaded a Procreate timelapse to my YouTube channel here.

Jezori

I’m still practicing with those ballpoint pens when I get the chance. I drew Jezori’s portrait in my tiny Moleskine sketchbook with a 4-colour Bic ballpoint.

Scott

This is Sktchy muse Scott and this is the kind of Sktchy inspiration photo that is irresistible for me. I love these kind of ‘altered perspective through glasses’ photos and that pipe is fantastic. I wasn’t sure I’d be able to draw the pipe initially but I figured if I messed it up I could crop it out and just include the pipe stem in my portrait (these kinds of cheats are essential to my drawing practice 😂) but in the end I was happy enough with how it turned out. It’s a little large but I wasn’t going to worry too much about that.

I drew Scott in my A4 Moleskine sketchbook with Copic markers and a white gel pen.

Tink

Santa brought me a set of Boko Undo E-Sumi Japanesque watercolours in “Almost Black” shades. This was my first use of them, trialling the purplish black for this portrait of Sktchy muse Tink. It was also only the second page of my new watercolour Moleskine sketchbook, so I was trying out new paint in a new sketchbook, so I’m pretty happy with how the portrait turned out, all things considered. I like both the paint and the sketchbook.

Ima

This is a portrait of Sktchy muse Ima and is the first page of my new Moleskine watercolour sketchbook. Lots of people talk about being nervous of drawing on the first page of a new sketchbook. I used to feel that way but once I started daily drawing I lost all first page nerves. The first page is no different to any other page – if anything, I’m excited to start a new sketchbook. That’s not so much about the drawing but about stickering the covers. I collect stickers purely for putting on the covers of my sketchbooks so I love to start new sketchbooks so I can put new stickers on them.

I painted Ima with Zecchi Toscana watercolours and finished the portrait with Prismacolor coloured pencils.