I love how huge Van’s hand looks in this portrait! It’s large in the inspiration image too but I have exaggerated it a little too. I think the extra size makes her look even more pensive.
I drew Van in my Moleskine watercolour sketchbook with a Micron fineliner, then painted her with Zecchi Toscana watercolours and finished the portrait with Prismacolor coloured pencils.
The inspiration photo for this portrait of Rocio is so fantastic – it just oozes warmth and happiness, I couldn’t resist drawing it for this week’s Old School Sktchy challenge which has the prompt “light”. I wasn’t able to capture the fantastic glow that the light from the rainbow emits in the photo but I did get some of the warmth
I drew this portrait on the first page of my new Midori Cotton sketchbook using Ca Micron fineliner, Copic markers and Prismacolor coloured pencils.
I didn’t start out drawing portraits with the intention of ever selling my portraits. I never really imagined I’d be good enough. But over the past year I’ve started to get asked to take commissions and now I have a steady stream of them coming in. At the moment I’m working on a few that need to completed fairly soon and I’m also going to be exhibiting in an Artists Open House in the Brighton Fringe Festival in May, so I’m not going to have as much time for my daily faces. But today it’s been lovely to just play around in my sketchbook and paint Jagonte, without any pressure!
I drew Jagonte with a Micron fineliner, painted the portrait with Zecchi Toscana watercolours and finished it with Prismacolor coloured pencils.
Today’s portrait of Christiane is the last portrait in my A4 Moleskine sketchbook. For some reason the paper, which has been fine throughout the book, reacted weirdly to my markers on this page, pilling and tearing around the nose and being generally difficult. I’m so glad this only happened on that back page!
I’ve shared a flip through of the whole book on my YouTube channel – you can watch it here.
This was a good inspiration photo to use for ballpoint pen practice. I got to use a good range of colours and to work on lights and darks, and there wasn’t too much to worry about in terms of actually drawing Ahmed’s face because the circle provided a frame and I just had to situate a few features. What I love about this ballpoint pen practice is that I do feel like I’m making progress with each drawing. It’s tiny steps forward, but it’s all in the right direction. I love that experience of learning something new!
I drew Ahmed’s portrait in my tiny pocket Moleskine with a range of Bic multicolour ballpoint pens.
I drew Kiany’s portrait on my iPad Pro with an Apple Pencil using the Procreate app.
I totally messed up the mouth in Berto’s portrait, but apart from that this felt like a step forward in my watercolour technique. I felt like I had much better control of my brush and that there was a real connection between what my eyes saw and what my brush communicated on the page when I was painting.
I painted Berto’s portrait in my Moleskine watercolour sketchbook with my Zecchi Toscana watercolours and finished it was Prismacolor coloured pencils.
I love drawing half faces. It takes away all the stress of drawing the second eye. Lots of other artists on Sktchy have talked at one time or another of the fear of drawing the second eye. In my case I tend to draw it slightly lower and bigger than the first eye. It doesn’t matter what I do to try to account for this (guidelines, careful measuring, etc), I still have a tendency to get it wrong and I almost always have to draw it two or three times before I’m just OK with how it looks. So drawing a half face (or a profile) every now gives me a day off from that particular worry. And I couldn’t resist Helena’s beautiful strawberry blonde hair!
I drew Helena’s portrait in my A4 Moleskine sketchbook with a Micron fineliner and Copic markers.
I haven’t used my coloured pencils on their own for a portrait for a while so decided to do just that today for this portrait of Claire. I drew this in a Moleskine sketchbook with Polychromos coloured pencils.
When I first started drawing faces I was terrified of expressions and would only draw expressionless faces looking forward, mouth closed. Now, a few years and more than 1200 portraits later, I have much confidence in my portraiture skills and it’s all about expressions. When I’m looking through Sktchy for a face to draw the images that jump out at me are the ones with great lighting, interest skintones and/or wonderful expressions to draw. The inspiration photo for this portrait of Denyce has all three.
I drew Denyce in my Moleskine watercolour sketchbook with a Micron pen, painted her with Zecchi Toscana watercolours and finished the portrait with Prismacolor coloured pencils.
drawing faces 