This is Jan from the Museum by Sktchy app. I’m taking a much slower approach to my drawing and watercolour painting when I’m not actually teaching in a class at the moment (when I have to work fast because we only have about because we about 40 minutes of class time to work on a drawing). I’m think I’m getting better results from working slower.
In my last post I shared a portrait that I started during a workshop last weekend with watercolour artist Mario Robinson. Yesterday I began this portrait of Vic from Museum by Sktchy with the very deliberate intention of using my usual watercolour and coloured pencil approach BUT incorporating what I had learned from Mario’s workshop last weekend.
So instead of rushing the watercolour stage as I usually do I slowed right down. I started yesterday and finished today, spending at least twice as long as I usually do on it (2 hours +). I also used water in a second brush to soften the edges and preserve the highlights. And I tried to replicate some of Mario’s very swift brush strokes, designed to keep the brush on the paper for a short a time as possible.
I also didn’t do a number of things that I would usually do. I didn’t use any masking fluid – and I really like the end result just using water to preserve highlights, even if it takes longer. I didn’t use my usual darker fineliner – I’m not so sure about this decision. I feel like that’s part of my style and the portrait does look quite right without it. And because I did go in to finish off with my coloured pencil hatching I think that’s looks a little off (too strong ) without the fineliner outline to balance it. But I think my watercolour work is definitely better than it was a week ago, especially in the hair which is where I always lack the most confidence.
So I think going forward I will certainly be taking a lot of what I learned and incorporating it into my own method and adapting it to make it workable within the shorter timescales that I generally work with.
I’ve been slowly working my way through the back catalogue of Danny Gregory’s weekly Sketchbook Skool Draw With Me sessions on YouTube. I try to attend the live sessions of this on Thursday if I can but they sometimes clash with work so I’ve missed a lot and now I’m revisiting those missed sessions one by one.
Today I took the session on Drawing Distortion which invited everyone to draw a distorted version of Danny or themselves. I hate drawing selfies but love drawing distortion and have no issue with drawing a distorted version of myself! So I snapped a quick selfie and used a photo app on my iPhone to distort it. And then I went straight in with a fineliner drawing, then adding colour with some watercolour pencils I found in a drawer.
I love the end result. I think it’s instantly recognisable as me, while being very distorted 😂
If you want to check out a Draw with Me session you can find them on YouTube here.
We’re working on drawing hands in my Drawing Faces class for Sketchbook Skool’s Spark programme at the moment. I love drawing portraits that include hands and once you feel confident drawing hands you can draw so many more poses – heads in hands, people drinking or on their phone, someone scratching their head, etc – so I think it’s really important to learn to draw them even if you only want to draw faces. So we started with a hand pose and we’ll move on to portraits including hands in later classes.
I had a lot of fun with this portrait of Mahoo from Museum by Sktchy winking. I drew him with my Bic 4-colour ballpoint pens in a Life Noble Note Plain notebook.
I drew this portrait of Devon while teaching Spark classes for Sketchbook Skool. It ended up very wonky but that’s OK – it was a valuable lesson in how to keep going even when you really aren’t happy with your line drawing. And the final portrait turned out fine.