I’ve been taking part in the Brooklyn Art Library’s 14 day portrait challenge. Today’s person to draw was Frida Kahlo but I decided that I didn’t want to draw the flower crowned iconic Frida that everyone knows. Instead I decided to draw the younger sterner Frida who wasn’t entirely sure yet who she wanted to be.
I decided to draw this portrait on my iPad Pro because I thought Procreate offered me the best tools for trying to recreate the vintage feel of the photo I was drawing from. I used most of my favourite brushes – the wet acrylic, the stucco, the Blackwing Pencil, and the Studio Pen.
This is Sktchy muse Ali. I’m generally pretty good at capturing a likeness these days but every so often I’ll have a run of missing it every day for a week or more. I’m having one of those runs right now. I’ve missed Ali’s likeness completely in this portrait. My last several portraits haven’t been so far off, but they haven’t been quite there either.
I don’t worry when I miss the likeness. The process of drawing is more important to me than the outcome. But I do think about what it says about me and what’s happening with my drawing at the time. Often it can mean that I’m not as focused as perhaps I should be, or I’m rushing my portraits because I don’t have as much time to work on them as I would like, or it can be a sign of personal stress.
Sometimes, it’s a sign of progress. It’s what I think of as the “one step forwards, two steps back” progress that comes with creative development, that means it feels like your work is getting much worse just before you make a breakthrough and step up a level. That might sound a little nonsensical but I hope some other artists recognise it. I’ve come to understand that that’s how my work progresses.
Right now I’m quite stressed so I think this loss of likeness is probably down to stress and a lack of focus but there’s a little bit of me that’s hoping I’m about to make an unexpected creative breakthrough. 🙂
I drew Ali in a Midori cotton sketchbook with Copic markers and Prismacolor coloured pencils.
If you follow me why not read something written by my immensely talented daughter for Screen Queens. I went with her to see Hannah Gadsby’s show Douglas and I love her review of it here on Screen Queens.
I’m always attracted by shadows. My portraits look flat until I start to paint in the shadows and it’s only when I begin to add those that faces come to life. So when I browse Sktchy for inspiration it’s always the photos with interesting light and shadows that jump out at me. Like the one I used for this portrait of the beautiful Diellza. You can’t see her hand but the shadow tells you very clearly that it’s there, shading part of her face from the sun.
I painted this portrait in my Moleskine watercolour sketchbook with Zecchi Toscana watercolours and finished it with Prismacolor coloured pencils.
I’m doing the Brooklyn Art Library’s 14 day portrait challenge at the moment, though I’m being a bit laid back about it and only doing it on the days that the suggested portrait interests me. I’m running a day behind because, being in the UK, I receive the challenges mid-evening and only have time to draw them late afternoon the following day when I’m done with work. So this is the challenge for day 6, Amelia Earharts
The suggestion was to draw this portrait with a non-traditional art supply so I used my Bic ballpoints. I drew this on the first page of an Emilio Braga Portuguese notebook – it’s a really beautiful notebook that has been sitting on my shelf for a while waiting to be used. I’ve just finished my Moleskine sketchbook so I’ll be using this for my ballpoint sketches for a while.
I’m participating in the Brooklyn Art Library’s 14 day portrait challenge, although it’s now Day 4 and this is the first day I’ve felt inspired to draw a portrait. Every day for 14 days they email a prompt for a portrait but the first three prompts didn’t excite me enough to make me want to draw the suggested portrait. But today’s prompt was to draw someone, living or dead, who I’d like to have a meal with.
And I came up with a very long list, but I would love, love, love to have a meal with Carrie Fisher. And not the young Carrie Fisher, but the older wiser Carrie Fisher. Because while I love the actor I adore the outspoken courageous sassy mental health campaigning Carrie Fisher most of all. That’s the woman I would love to sit down and share a meal with.
This is the third portrait of her I drew. The first two weren’t right. The likeness was fine but somehow they didn’t capture her. And suddenly I realised why. She needs to be among the stars – that’s where she belongs. So when I drew this third portrait I was imagining her as a constellation.
I drew this on my iPad Pro with the Procreate app.
I’ve been trying to access NHS talking therapy during the lockdown and it’s such hard work trying to navigate a system that makes no sense and I’m getting nowhere. The only other way I have of processing my emotions is to draw them out.
I drew Juliana in my Midori Cotton sketchbook with Copic markers and Prismacolor coloured pencils.
This is Julie. I think it’s the first portrait I’ve ever drawn on black paper. I saw the photo of the plague mask and it made me think of the UK as the plague country of Europe, with the highest number of coronavirus deaths. So it seemed only right to draw on black paper and I changed the scarf to a Union Jack. The black mood, lightened by my drawing marks, seems appropriate.
I drew this on black Strathmore artist zentangle paper with Polychromos and Prismacolor coloured pencils.
Today’s Sktchy portrait is of Christine’s husband. I don’t know his name; Christine posted his photo on Sktchy but didn’t add his name. I love his wistful expression. Last week I made a commitment to draw a portrait of an older person at least once a week in honour of all the older people dying in care homes in the UK in the coronavirus pandemic. This is this week’s portrait.
I drew this on my iPad Pro with an Apple Pencil using the Procreate app.
drawing faces 