I love drawing on toned paper so I thought I’d try a coloured pencil drawing in a Strathmore toned paper sketchbook that I’ve been working in just occasionally for several years now. But I’m a little disappointed with the results. I had to work pretty hard to get my pencils to show up at all in this portrait of Van. I expected them to be much more vibrant on this paper. So I think I’ll be sticking with my Hannehmühle Nostalgie sketchbook. If anyone has had better results with a different toned paper sketchbook I’d be interested to know about it.
Another patterned portrait, this time with watercolour and coloured pencils. In Klara’s Sktchy photo she was posing in front of some fabulous rhododendron bushes so I took my inspiration for the floral background pattern from those flowers.
I drew this portrait in a Laloran sketchbook with a Copic multiliner, painted it with Zecchi watercolours and finished it with Prismacolor coloured pencils.
Sid was Sktchy’s chosen daily inspiration photo yesterday. I’m a day late drawing him but here he is. I started out with a green and white striped background but it was nightmare – it totally drew the eye away from the portrait- so I filled in the stripes and it looks much better!
I drew this in a Moleskine sketchbook with Copic multiliners and Copic markers.
I’m still finding my way with coloured pencils – I’m never entirely sure whether to hatch or to colour in the way children do. For this portrait of a Sktchy muse Jeandor I decided to stick with hatching all the way.
I drew this in a Hannehmühle Nostalgie sketchbook with Prismacolor coloured pencils.
Cody is one of my favourite Sktchy muses and he’s always a pleasure to draw. I drew this on my iPad Pro with Lisa Bardot’s watercolour brushes.
Something a little different today. A while ago I spent some time experimenting with digital block printing and I’ve recently agreed to come up with some designs for cards for a local eco project I volunteer with. So I’m refamiliarising myself with the process and plying around with colour schemes and brushes. This weekend Sktchy have a Barnyard Portrait party so I used a photo of my own of a sheep to come up with this digital block print design. It’s a little rough and ready but it was great practice for refreshing my memory and for playing around with colour schemes – I worked this design in 4 different colour schemes, but liked this simple one the best.
Drawn on an iPad Pro with an Apple Pencil using the Procreate app.
A few weeks ago I rarely added backgrounds to my portraits, and certainly not patterned backgrounds. Now, after taking a Sktchy course by Charlotte Hamilton on patterned portraits my portraits don’t seem complete without one!
This portrait of Sktchy muse Anna was drawn in a Moleskine sketchbook with a Copic multiliner and Copic markers.
This was a tough draw and Sktchy muse Austin’s portrait is full of mistakes. It’s too wide (his face in the inspiration photo is much longer and narrower), the mouth isn’t open wide enough and I struggled to capture the shadows and lines well with coloured pencils. But it’s all learning and I’m very much still learning when it comes to coloured pencils.
I drew this in a Hannehmühle Nostalgie sketchbook with a range of coloured pencils, including Prismacolor, Derwent Artist and Bruynzeel Design.
I find it hard now to believe I used to be scared of watercolour. These days it’s almost as much a comfort zone for me as Copic markers and yet I can look back even in the last sketchbook I used and find plenty of examples of horrible overworking. But right now I feel like I’m in a good place where I understand where to stop so that I don’t overwork – and I think perhaps that’s because I took Sketchbook Skool’s Coloured Pencil course and now feel much happier finishing paintings with coloured pencils instead of adding those extra layers of watercolour.
I drew this in a Laloran sketchbook with a Copic multiliner, painted it with Zecchi Toscana watercolours and finished it with coloured pencils.
Lana was wearing fake elf ears in the Sktchy inspiration photo for this portrait. Making them seem real was so much fun. And lthough they felt very unnatural to me at first I’m now beginning to enjoy adding these patterned backgrounds, although I still forget to include them until after I’ve done the portrait.
I drew this portrait in an A4 Moleskine Sketchbook with a Copic multiliner and Copic markers.